MP4 to WAV for Podcasts
Convert MP4 to WAV for podcast distribution. WAV is ideal for editing and archiving your podcast episodes before final export.
Drop your MP4 file here or click to browse
MP4 (.mp4) · Max 20 MB
Podcasters hit this specific conversion because phone video is where the MP4 came from — a remote guest, a field recording, a clip — and the video stream is nearly the entire file, so extracting the audio collapses a 500 MB video into a few MB. For a show you need WAV, so the MP4-to-WAV step is part of the edit, not an afterthought.
Edit in WAV, publish in something lossy. Keeping the working file lossless means your cuts, levelling, noise reduction, and EQ all happen on raw samples — and only the final episode export is lossy, applied once to the finished mix.
Podcast bitrates are lower than most people assume, deliberately. 128 kbps stereo is the widely used standard, and 64–96 kbps mono is entirely respectable for pure speech — it roughly halves the download for every listener, which adds up across a back catalogue and matters to anyone on limited mobile data. Reserve 192 kbps and above for shows where music genuinely carries the experience.
Mono is the decision most worth revisiting. If your episode is voices with no meaningful stereo image — which describes most interview and solo shows — mono at 96 kbps is perceptually equivalent to stereo at 192 and half the size. Publishing stereo by default is a habit, not a requirement. And archive the lossless edit: social clips, best-of segments, and fixes should always be cut from that, never from the published file.
MP4 costs you around 60 MB for every minute; WAV asks for about 10. Over a long recording that gap is the whole reason to convert. What MP4 threw away is unrecoverable. WAV preserves what's left perfectly, which is the most any format can do for it.
MP4 is the format of phone video. It plays where it was made, but the video stream is nearly the entire file, so extracting the audio collapses a 500 MB video into a few MB. WAV is the destination when you need uncompressed, edit-ready audio that every DAW and editor accepts. Storage-wise you're looking at about 6× less: 60 MB per minute becomes roughly 10. One honest note on this exact pair: MP4 is already lossy, so moving to WAV cannot restore detail the MP4 encoder discarded — it hands you an uncompressed container, not better audio, and the value is a loss-free chain from here on.
Frequently Asked Questions
What bitrate should I publish a podcast at?
128 kbps stereo is the widely used standard. For pure speech, 64–96 kbps mono is entirely respectable and halves the download for every listener — which adds up across a back catalogue and matters to anyone on limited mobile data.
Should my podcast be mono or stereo?
If it is voices with no meaningful stereo image — most interview and solo shows — mono at 96 kbps is perceptually equivalent to stereo at 192 and half the size. Publishing stereo by default is a habit, not a requirement.
When should I convert in my podcast workflow?
Early. Getting to WAV before you edit means your cuts, levelling, and EQ all happen on raw samples, and only the final publish step is lossy.
Will a higher bitrate make voices sound better?
Barely, past about 128 kbps — you would mostly be encoding room tone and mic noise at a cost your listeners pay in download size. Quality comes from the recording and the edit, not the encoder.
Should I keep the lossless edit after publishing?
Yes. Social clips, best-of segments, and fixes should be cut from the lossless edit, never from the published file, which has already thrown detail away.
About MP4
The most common video container format. Used by YouTube, smartphones, and cameras. Extract audio from any MP4 file instantly.
About WAV
Uncompressed audio format. Perfect quality with no data loss. Standard for music production and professional audio work.