AudioUtils

Opus to WAV for Podcasts

Convert Opus to WAV for podcast distribution. WAV is ideal for editing and archiving your podcast episodes before final export.

OpusWAV

Drop your Opus file here or click to browse

Opus (.opus) · Max 20 MB

Podcasters hit this specific conversion because Discord recordings is where the Opus came from — a remote guest, a field recording, a clip — and Opus is the best lossy codec in use, but it lives inside apps — car stereos, older iPhones and smart speakers won't play it. For a show you need WAV, so the Opus-to-WAV step is part of the edit, not an afterthought.

Edit in WAV, publish in something lossy. Keeping the working file lossless means your cuts, levelling, noise reduction, and EQ all happen on raw samples — and only the final episode export is lossy, applied once to the finished mix.

Podcast bitrates are lower than most people assume, deliberately. 128 kbps stereo is the widely used standard, and 64–96 kbps mono is entirely respectable for pure speech — it roughly halves the download for every listener, which adds up across a back catalogue and matters to anyone on limited mobile data. Reserve 192 kbps and above for shows where music genuinely carries the experience.

Mono is the decision most worth revisiting. If your episode is voices with no meaningful stereo image — which describes most interview and solo shows — mono at 96 kbps is perceptually equivalent to stereo at 192 and half the size. Publishing stereo by default is a habit, not a requirement. And archive the lossless edit: social clips, best-of segments, and fixes should always be cut from that, never from the published file.

Budget for roughly 10 MB per minute — about 20× what the Opus took. You're trading disk for a format that tools actually accept. What Opus threw away is unrecoverable. WAV preserves what's left perfectly, which is the most any format can do for it.

Opus is the format of Discord recordings. It plays where it was made, but Opus is the best lossy codec in use, but it lives inside apps — car stereos, older iPhones and smart speakers won't play it. WAV is the destination when you need uncompressed, edit-ready audio that every DAW and editor accepts. WAV runs about 10 MB per minute against Opus's 0.5, so the file grows roughly 20×. Irrelevant for a session file; keep the original for archiving. One honest note on this exact pair: Opus is already lossy, so moving to WAV cannot restore detail the Opus encoder discarded — it hands you an uncompressed container, not better audio, and the value is a loss-free chain from here on.

Frequently Asked Questions

What bitrate should I publish a podcast at?

128 kbps stereo is the widely used standard. For pure speech, 64–96 kbps mono is entirely respectable and halves the download for every listener — which adds up across a back catalogue and matters to anyone on limited mobile data.

Should my podcast be mono or stereo?

If it is voices with no meaningful stereo image — most interview and solo shows — mono at 96 kbps is perceptually equivalent to stereo at 192 and half the size. Publishing stereo by default is a habit, not a requirement.

When should I convert in my podcast workflow?

Early. Getting to WAV before you edit means your cuts, levelling, and EQ all happen on raw samples, and only the final publish step is lossy.

Will a higher bitrate make voices sound better?

Barely, past about 128 kbps — you would mostly be encoding room tone and mic noise at a cost your listeners pay in download size. Quality comes from the recording and the edit, not the encoder.

Should I keep the lossless edit after publishing?

Yes. Social clips, best-of segments, and fixes should be cut from the lossless edit, never from the published file, which has already thrown detail away.

About Opus

Modern open-source codec. Best quality-per-bit of any lossy format. Used by Discord, WebRTC, and modern browsers.

About WAV

Uncompressed audio format. Perfect quality with no data loss. Standard for music production and professional audio work.